Barcelona: The Nightmare Gallery

Tuesday, September 24, 2019. Barcelona, Catalonia, Spain.
Soundtrack: Burzum – Dunkelheit

My flight to Bilbao was cancelled due to a ground crew strike, but the airport set me up with another three hours later, ensuring I’d miss the fire festival. Ladygirl’s flight back to the smoldering ruin of Philadelphia (go birds) was not similarly afflicted, and she boarded a bus at the crack of dawn, leaving me to my devices.

I already got my cafe time in, and tickatacka’d plenty. What’s a boy to do?

Off I drifted in a weird, widening gyre through the Gothic Quarter, contemplating early beers or late breakfasts and declining them, sick of consuming, but still hungry for something. I thought about the Picasso museum, but looked at the line, and the screaming school children, and decided I didn’t care about Picasso that much. Picasso cared about Picasso enough for all of us.

gSome eldritch entity heard my plea and sundered the world. From that rending, nestled in the dark, bloomed the entry to the Museu Europeu d’Arte Modern, or MEAM. I stared into it, and it back into me. We could each hear the other breathing.

I went in.

Uno adult, general. Por favor,” I said to the demon behind the counter. I handed her coins. I’m not sure how much, but I’m sure its equivalence would be 30 pieces of silver. Her face split open like a shark’s grin.

Absolutamente.”

After my last brush with MEAM, also chronicled here, I wound up crouching in the alley with the homeless, chainsmoking my way through what may have been a panic attack or some kind of dissociation. Some sort of madness. I walked out unhinged, and it took me twenty minutes to rehinge.

It greeted me like an old friend:

“Other people mean nothing,” MEAM whispered its dissonance into my head. “Their words are cold wind, their applause the ghostly echoes of a long-empty mausoleum. Ascension can only be gained through power. Reach within.”

“Jesus, dude,” I said.

The first piece that really drove a chisel into my cerebrum was La paleta de olvido, which is appropriate, since that was its subject matter. It didn’t hit proper until I clumsily translated the title – “The Blade (or maybe palette) of Forgetting” — when figured out the sticky note.

“I’m me.”

Then came “The Process of Transformation of Fear into Art”. Perseus, bare-assed, vulnerable and exposed, swinging the still-screaming head of Medusa. One missed bounce, one unaccounted-for twist and the gaze will fall on him, petrify him on the spot. His horse is panicking, completely out of control. His only defense is his helmet, guarding the brain. Intellectualization. Plato’s Monster all over again.

Nonato, a decaying giant of cast bronze grows from the floor, grasps at his own pedestal. He’s pushing himself out. The rest of the way into our world.

Do you remember when you were a little kid, and you’d walk down a dark hallway or go into a dark room, and you’d know something was in there with you, watching you? And you’d ride that thrill of horror as far as it would go, just to see how long you could stand there, staring into the melding shapes in the dark, before you had to turn on the lights?

Maybe not. Maybe that was a me thing. Either way, that’s what it was like getting close to this sculpture. It was real enough that it looked like it was breathing. I was especially cautious of this after that Galileo the other day.

Found the plaque. It’s on the bottom. Whoops. The title was something like “Fig0315”, not sure on the artist.

Diana herself, done justice in the best artistic interpretation I’ve ever seen, and wearing Chuck Taylors. There’s an incredible amount of detail in the rock surrounding her, with hidden faces, shapes, and symbols. All sorts of subliminal seeds, slithering in and taking root while you’re distracted.

No opaque horror in this one, but something was going on somewhere in the earth tone frenzy and soft, sweeping curves. I kept staring but couldn’t make sense of it, but the implication of sense is there, like having something on the tip of your tongue. Just out of your mental reach.

“All men will be forgotten,” the MEAM burbled telepathically, like black tendrils in my mind. “Most are already dead and haven’t realized it. Scrabbling for praise is the pathetic pursuit of the doomed. Immortality is thankless, but the only noble pursuit.”

“Okay,” I whispered, and fled into the streets.

Neither were they safe.

I don’t think I dipped into Lovecraftian madness on this go-around, but I suppose the insane never realize they’re insane. Either way, my faculties were well-enough operational to get me to the airport, and put me on a plane.

Hurry hurry hurry.

Love,

B.

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